Monday, 5 December 2011

WINOL Strike Special


This week has been a lot of hard work preparing for the strikes. I am happy to say that it was all worth it and we all pulled together an amazing four hour show. I had my reservations about not doing in the studio and going to the Unite the union offices. My gut feeling was that we have a studio that we all know how to work and will only have a very few technical problems; if we do there is always Dave or Corin there to help us. I also thought that the day was going to be hard enough without moving it to another location and taking all the equipment there.

The reasons for which it was moved were: it was easier access for guests, no picket lines to cross, it was a better backdrop for the audience than just a green screen and we were in the heart of the action being in the middle of Southampton.

After visiting and starting to set up on the Tuesday I soon started to feel excited about what we were going to attempt to do. The offices looked great, and had a real old air about them. We had the desk in front of the window where you could see The Avenue behind and the room was plenty big enough for everyone to fit in and work. Rehearsals did not start off as we had liked but within an hour we had been rehearsing and nothing had gone wrong. The hour literally flew by. My role was to work as the director for packages and adverts, worked on the vision mixer, sound and VT's but this was extremely hard with the Tricaster because you could only do everything via a mouse and a keyboard. Jack fixed the vision mixing problem by finding the correct wire for the vision mixing desk and plugging that in but it was still too much work for one person so on the day Katie Rowles and I worked together.

After the rehearsals I felt much better about the strikes on the Wednesday. We still had a few problems to work out but it did start to look like we were going to be able to pull it off.

We started more rehearsals at 10.30 on the 30th. They started out all right but the Internet connections in the room were not as good as they could have been and a problem that we should have fixed the day before. We had guests arrive at about 11am so we were not rehearsing for long before we had to start being professional and working as if it was a live broadcast.

Once the interview had finished we were left with about 10 minutes to prepare ourselves before going live. The interview was no scheduled and I think it left a lot of people worrying and panicking about not having a proper rehearsal and time to breathe. This may have been one of the reasons that in the first hour we were broadcasting on ustream with very little to no sound. The ustream was also behind out filming by about four minutes. The problems with the microphones meant that we had to shut everything off and practically start again. This was not a good start but once this problem was fixed we did not have any others that day.

Working on the vision mixer. the only problem was the lack of cameras and the fact the once we started broadcasting we could not shut the program off. This meant that when we got more packages in on the memory sticks, we had to keep the sticks until we had aired the package otherwise it would go offline. We also only had three memory sticks that were programmed with the Tricaster so we had to alternate with these.

Katie and I also found a way of writing straps and putting them on the live cameras as we were rolling. This was a large feat for us because this enabled us to put names up as well as naming the different areas of the studio. For example when the guests came on we had the strap, "WINOL Live Debate", this made it look even more professional.

The reporters did an amazing job with all of their packages and if we did not have as many as we did all ready save and in the bank we would have had a lot less content and the beginning few hours of the show would have been really boring and hard to get through. Towards the end of our broadcast we started to get some really great content of the strikes, however, the strikes had also started to calm down and in some places they had gone home.

Our Skypes did not work as well as we had planned, or as we had rehearsed. We had one from London Metropolitan, which had to be cancelled half way through and a couple from Liverpool which worked really well but that was it.

Louis O'Brien did really well with getting in the guests that he did. We had Seb Miell, a student, some union members and some councillors. It was really well rounded and we got some great answers from them about the strikes. Jake Gable was great at interviewing them as was Hana Keegan and Cara Laithwaite at presenting. They had all really got a firm knowledge in a lot of the points of the strikes. This was a necessity but they managed to pull it off really well and left myself and the viewer understanding what was going on during the day.

As we streamed to ustream we do not currently have the full show for upload. You can watch above the OB's though, so enjoy.

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